Klearjos Eduardo Papanicolaou

<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>Klearjos Eduardo Papanicolaou</title>
	<link>https://klearjos.cargo.site</link>
	<description>Klearjos Eduardo Papanicolaou</description>
	<pubDate>Mon, 18 Aug 2025 12:57:30 +0000</pubDate>
	<generator>https://klearjos.cargo.site</generator>
	<language>en</language>
	
		
	<item>
		<title>Landing</title>
				
		<link>https://klearjos.cargo.site/Landing</link>

		<pubDate>Sat, 14 Nov 2020 23:47:22 +0000</pubDate>

		<dc:creator>Klearjos Eduardo Papanicolaou</dc:creator>

		<guid isPermaLink="true">https://klearjos.cargo.site/Landing</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>All</title>
				
		<link>https://klearjos.cargo.site/All</link>

		<pubDate>Sat, 14 Nov 2020 17:18:12 +0000</pubDate>

		<dc:creator>Klearjos Eduardo Papanicolaou</dc:creator>

		<guid isPermaLink="true">https://klearjos.cargo.site/All</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>Films</title>
				
		<link>https://klearjos.cargo.site/Films</link>

		<pubDate>Sat, 14 Nov 2020 23:32:31 +0000</pubDate>

		<dc:creator>Klearjos Eduardo Papanicolaou</dc:creator>

		<guid isPermaLink="true">https://klearjos.cargo.site/Films</guid>

		<description>
</description>
		
	</item>
		
		
	<item>
		<title>HOT COLD WET DRY</title>
				
		<link>https://klearjos.cargo.site/HOT-COLD-WET-DRY</link>

		<pubDate>Mon, 18 Aug 2025 11:54:09 +0000</pubDate>

		<dc:creator>Klearjos Eduardo Papanicolaou</dc:creator>

		<guid isPermaLink="true">https://klearjos.cargo.site/HOT-COLD-WET-DRY</guid>

		<description>
	Feature-Length Documentary &#124; With Marios Kleftakis &#124; 90’ &#124; 2026 &#124; CH, GR

Part sensory ethnography, part essay film, part ghost story, HOT COLD WET DRY is a feature-length portrait of urban utopias and their shadows, set in present-day Singapore. The film’s gaze drifts across the city’s malls, skyscrapers, and rainforests, encountering blurred boundaries between real and fake; humans and robots; living trees and steel “Supertrees”; graves, aquariums, and supermarkets; life, death, and the digital in-between. Is this where urbanization, the banality of everyday life under late techno-capitalism, and ecological extinction converge?


	Technical Information 2:39:1, 90’, DCP, Colour, Switzerland, Greece
Directed, Written and Produced&#38;nbsp;Klearjos Eduardo Papanicolaou
&#124; Marios KleftakisWith Support from Beben Films (Isavella Alopoudi, Babis Makridis, and Yannis Chalkiadakis)
Cinematography and Sound Recording Klearjos Eduardo Papanicolaou&#38;nbsp;
Editing Marios Kleftakis

Music&#38;nbsp;Ludwig Berger, Vasilis Kleftakis, The Little Thieves
Mixing Leandros Ntounis
Graphic and Title Design Claudia Sinatra


	&#60;img width="3579" height="5032" width_o="3579" height_o="5032" data-src="https://freight.cargo.site/t/original/i/804265f58f18d9d6e81bdf14b9e6a6f4b259d015179d9e994efc1bd6b6db3b30/HCWD_Poster_Web_A3.png" data-mid="244998493" border="0"  src="https://freight.cargo.site/w/1000/i/804265f58f18d9d6e81bdf14b9e6a6f4b259d015179d9e994efc1bd6b6db3b30/HCWD_Poster_Web_A3.png" /&#62;
	Screenings2026 Arquiteturas Film Festival, Porto, PR
2026 Andros Municipal Cinema, GR

2026 Thessaloniki International Documentary Film Festival, GR
</description>
		
	</item>
		
		
	<item>
		<title>NOT JUST ROADS</title>
				
		<link>https://klearjos.cargo.site/NOT-JUST-ROADS</link>

		<pubDate>Sat, 14 Nov 2020 17:18:13 +0000</pubDate>

		<dc:creator>Klearjos Eduardo Papanicolaou</dc:creator>

		<guid isPermaLink="true">https://klearjos.cargo.site/NOT-JUST-ROADS</guid>

		<description>
	Feature-Length Documentary &#124; With Nitin Bathla &#124; 67’ &#124; 2020 &#124; CH, IN

NOT JUST ROADS is an ethnographic documentary film that narrates the story of a massive urban transformation underway in India.

Highways are being constructed at an unprecedented rate of 23 kilometers per day under the Indian government's Bharatmala (‘Garland of Limitless Roads’) program. The program aims to open new territories for the emerging Indian middle class. Currently, the territory is inhabited by villages, working class neighbourhoods, and nomadic herders. It is criss-crossed by native trails and vital ecological commons. This film captures the story of one such highway outside Delhi, from the perspective of human and non-human actors.

*&#38;nbsp;Nominated for the Main Competition, London Arch Film Fest 2021* Nominated for the Beyond the Screen Competition, DocAviv 2021
* Winner SAH 2022 Film and Video Award
Watch Full Film (Vimeo On Demand)


Trailers


	Technical Information 2:39:1, 70’, DCP, Colour, India, Switzerland, Germany
Directed, Written and Produced Nitin Bathla &#124; Klearjos Eduardo Papanicolaou
With Support from Friedrich-Ebert-Stiftung, India Office &#124; Andromeda Film AG &#124;
ETH Zürich
Cinematography and Sound Recording Nitin Bathla 
Editing Klearjos Eduardo Papanicolaou

Original Music, Sound Design and Mixing Ludwig Berger
Post-Production Patrick Lindenmaier &#124; Davide Legittimo &#124; Andromeda Film AG
Graphic and Title Design Claudia Sinatra &#124; Metaxia Markaki


	&#60;img width="1191" height="1684" width_o="1191" height_o="1684" data-src="https://freight.cargo.site/t/original/i/007d030b12a40be44e511eabf3e9448994886a70f2e395013c387270b9c9714b/200912_Poster_Web_72dpi.png" data-mid="88830566" border="0"  src="https://freight.cargo.site/w/1000/i/007d030b12a40be44e511eabf3e9448994886a70f2e395013c387270b9c9714b/200912_Poster_Web_72dpi.png" /&#62;
	Screenings
2026 Arquiteturas, Porto, PR2026 Museum für Gestaltung, CH
2026 Swiss Anthropology Conference, CH


2024 Filmcasino, Vienna, AT2024 Ohio State University, USA
2023 Ethnokino FF, Bern, CH
2023 Sarajevo Days of Architecture, BiH2023 KTH Stockholm, SE
2023 University of Manchester, UK2023 King's College London, UK
2023 Arthshila, Ahmedabad, IN
2023 Ecofalante Environmental FF, BR

2023 CEPT, Ahmedabad, IN
2023 Ambedkar University, Delhi, IN
2023 Max Mueller Institute, New Delhi, IN
2023 KRIVIA, Mumbai, IN
2023 Indian Institute of Technology, Mumbai, IN
2023 Think Matter, Goa, IN
2023 Chandigarh College of Architecture, IN2022 Goethe Institute, Colombo, LK

2022 A.M. Qattan Foundation, Ramallah, PL
2022 Ashoka Trust for Research, IN2022 Grupo CASA, Rio de Janeiro, BR2022 Syracuse University, USA
2022 Symposium Film, Arch, Urban Studies, CH
2022 Documentary Festival Bhubaneswar, IN 2022 Regard Bleu Ethnographic FF, CH
2022 SAH Conference, Pittsburgh, USA2022 Sinema Transtopia, Berlin, DE2021 EATSA Film Festival, Porto, PR2021 Dharamshala International Film Festival, IN2021 All Living Things Environmental FF, IN2021 Rotterdam Architecture Film Festival, NL2021 Aarhus Architecture Film Festival, DK2021 Copenhagen Architecture Film Festival, DK2021 DocAviv, Tel Aviv, ISR2021 Arch Film Fest London, London, UK

</description>
		
	</item>
		
		
	<item>
		<title>THE DISAPPEARANCE OF ROBIN HOOD</title>
				
		<link>https://klearjos.cargo.site/THE-DISAPPEARANCE-OF-ROBIN-HOOD</link>

		<pubDate>Sat, 14 Nov 2020 17:18:14 +0000</pubDate>

		<dc:creator>Klearjos Eduardo Papanicolaou</dc:creator>

		<guid isPermaLink="true">https://klearjos.cargo.site/THE-DISAPPEARANCE-OF-ROBIN-HOOD</guid>

		<description>
	Documentary Short &#124; With Urban-Think Tank &#124; 25’ &#124; 2018 &#124; CH 

London, 1972 – the city is growing, and with it the need to house working populations. Post-war values of social welfare make experimenting with new forms of housing possible, ushering in an era of modernist, utopian projects. Among the most daring and innovative, Peter and Alison Smithson’s Robin Hood Gardens estate. In THE DISAPPEARANCE OF ROBIN HOOD, echoes of experts and decision-makers are heard as we explore the corridors of Robin Hood – their voices, like dissonant radio waves, take turns in expounding the values of the estate, while also arguing about its reputation, significance, and future. Meanwhile, intimate portraits of residents express the emotional, humorous, and complex story of the project. Mixing documentary and fiction storytelling, we piece the history of the Robin Hood Gardens estate gradually, from its initial transformation of industrial land into an idyllic, leafy neighbourhood, to its eventual re-configuration of street life into a vertical context, before turning to contemporary reality.

Less than 50 years later, London is a very different place. The incessantly growing city, powered by financial capital, dissolves the previous generation’s social housing projects, re-development by re-development. An emerging steel-and-glass skyline defines the new norms of housing, rendering notions of social welfare more akin to history rather than to embodied policy. The question arises: where has Robin Hood gone?


	Technical Information 2:39:1, 25’, DCP, Colour, Switzerland
Directed&#38;nbsp;Klearjos Eduardo Papanicolaou
Written Klearjos Eduardo Papanicolaou &#124; Daniel Schwartz &#124; Alfredo Brillembourg
Produced Alfredo Brillembourg
Production Support Hubert Klumpner

Director of Photography Daniel Schwartz
Additional Photography Markus Kneer &#124; Ryan Powell &#124; Sophie Yetton &#124; Michael Waldrep
Editing Klearjos Eduardo Papanicolaou
Original Music Nicola Di Croce
Post-Production Andromeda Film AG &#124; Magnetix Tonstudio
Graphic and Title Design Claudia Sinatra


	&#60;img width="1000" height="1414" width_o="1000" height_o="1414" data-src="https://freight.cargo.site/t/original/i/828c74a8fd769a73a426e21c332d1872108b8299aa49f843acb943e2a93aabdf/200204_RHG-PosterA3_Web.jpg" data-mid="88831981" border="0"  src="https://freight.cargo.site/w/1000/i/828c74a8fd769a73a426e21c332d1872108b8299aa49f843acb943e2a93aabdf/200204_RHG-PosterA3_Web.jpg" /&#62;
	Screenings

2026 Wohnforum, ETHZ, Zürich, CH
2020 Festival International du Film sur l'Art (FIFA), Montreal, CA 2020 Festival Habitante, Quito, Ecuador 2019 DADo, Melbourne, AUS 2019 Feminism and Architecture Film Series, London, UK 2019 Kino KOSMOS, Kosmopolitik, Zürich, CH 2019 Architektur.Film.Sommer, Vienna, AT 2019 Arquiteturas Film Festival, Lisbon, PT 2019 Aarhus Architecture Film Festival, Aarhus, DK 2019 Copenhagen Architecture Film Festival, Copenhagen, DK 2019 Architecture + Design Film Festival, Winnipeg, CA 2019 Architecture + Design Film Festival, LA, USA 2019 Architecture + Design Film Festival, Washington DC, USA 2019 Big Sky Film Festival, Missoula, USA 2019 Solothurner Filmtage, Solothurn, CH 2018 UrbanEye Film Fest, Bucharest, RO2018 ArqFilm Fest, Santiago, CL 2018 Architecture + Design Film Festival, NY, USA 2018 Seoul International Architecture Film Festival, Seoul, SK 2018 Riga International Film Festival, Riga, LV 2018 Milano Design Film Festival, Milan, IT 2018 Rotterdam Architecture Film Festival, Rotterdam, NL 2018 ArchFilm Fest, London, UK 

</description>
		
	</item>
		
		
	<item>
		<title>THE SEVEN SISTERS INDOOR MARKET</title>
				
		<link>https://klearjos.cargo.site/THE-SEVEN-SISTERS-INDOOR-MARKET</link>

		<pubDate>Sat, 14 Nov 2020 17:18:14 +0000</pubDate>

		<dc:creator>Klearjos Eduardo Papanicolaou</dc:creator>

		<guid isPermaLink="true">https://klearjos.cargo.site/THE-SEVEN-SISTERS-INDOOR-MARKET</guid>

		<description>
	Feature-Length Documentary &#124; With Marios Kleftakis &#124; 95’ &#124; 2016 &#124; UK, GR

THE SEVEN SISTERS INDOOR MARKET is a feature-length documentary depicting socio-spatial transformation of a megacity - London.

Using hybrid film language that borrows from documentary and fiction styles, we follow the migrant patrons and traders of The Seven Sisters Indoor Market in Tottenham, north London, with whom we witness an urban experience whose wealth is cultural rather than financial. The sounds of salsa and reggae emanating from their market are juxtaposed with those of drills and metal clanging heard throughout the city outside.

Approaching the consequences of London's transformation with the omnipresent question, ‘who shapes urban space?’, the migrants we encounter show us a hybrid, inclusive, and endangered version of city life.
︎ More
Watch Full Film (Vimeo On Demand)


Trailers


	Technical Information 2:39:1, 95’, DCP, Colour, United Kingdom, Greece
Directed and Filmed&#38;nbsp;Klearjos Eduardo Papanicolaou
Written and Produced&#38;nbsp;Marios Kleftakis &#124;
Klearjos Eduardo Papanicolaou

Edited&#38;nbsp;Marios Kleftakis

Original Music&#38;nbsp;Nicola Di Croce

Post-Production Marios Kleftakis

Sound Mix&#38;nbsp;Persefoni Miliou

Graphic Design Claudia Sinatra


	&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/22066bfd8cb3f11f900e017a730d025bf235315990f7b8ef12d0fca421e666e1/Main-Poster_Seven-Sisters-Indoor-Market_Medium.jpg" data-mid="89448956" border="0"  src="https://freight.cargo.site/w/1000/i/22066bfd8cb3f11f900e017a730d025bf235315990f7b8ef12d0fca421e666e1/Main-Poster_Seven-Sisters-Indoor-Market_Medium.jpg" /&#62;
	Screenings
2025 ETHZ, Zürich, CH2024 Ida Nowhere, Berlin, DE2023 More Than Human Cinema, ETHZ, CH
2021 Vienna Biennale, Vienna, AT
2018 Cine-Mageiremata, Athens, GR 2018 Kino Xenix, Zürich, CH2018 ZK/U, Berlin, DE2017 ETH Zürich, The City Through the Lens: Experimental Documentary Film Series, Zürich, CH 2017 Cinetekton International Film and Architecture Festival 2017, Mexico City, MX 2017 Bernie Grant Arts Centre, London, UK 2017 UCL, Barlett Film Exchange / Urban Lab Films, London, UK 2017 LSE (with Cervantes Institute), London, UK 2016 York University, The Crescent Community Venue, York, UK 2016 The Yard Theatre, London, UK 2016 2016 Hackney Picturehouse, ‘Hackney Attic’, London, UK 2016 Koppel Project Gallery, ‘Mapping Memories’ Exhibition, London, UK 2016 LSE Resist Festival, London, UK 2016 East End Film Festival, London, UK


</description>
		
	</item>
		
		
	<item>
		<title>CONTOURS</title>
				
		<link>https://klearjos.cargo.site/CONTOURS</link>

		<pubDate>Sat, 14 Nov 2020 17:18:15 +0000</pubDate>

		<dc:creator>Klearjos Eduardo Papanicolaou</dc:creator>

		<guid isPermaLink="true">https://klearjos.cargo.site/CONTOURS</guid>

		<description>
	Music Video &#124; With Marios Kleftakis &#124; 6’ &#124; 2015 &#124; UK
The music video for the single, CONTOURS, released in 2015 for London-based band MERAQI, uses playful imagery to explore the broad theme of sensuality, using various substances such as tap water, vinegar, watercolours, fruits, non-Newtonian fluids, supersaturated sodium acetate, and Ferrofluid on a number of different surfaces.


Technical Information 6’, HD Video, Colour, United Kingdom
Directed Klearjos Eduardo Papanicolaou
Cinematography Arthur Le Fol &#124; Klearjos Eduardo Papanicolaou
Additional Cinematography Ryan Powell
Editing Marios Kleftakis


	&#60;img width="700" height="700" width_o="700" height_o="700" data-src="https://freight.cargo.site/t/original/i/8b2fb6dc6edcfa5e3adc01425a133a08c4f45ca5808a3f6fd986600b810b8ecc/a3736972073_16.jpg" data-mid="88835075" border="0"  src="https://freight.cargo.site/w/700/i/8b2fb6dc6edcfa5e3adc01425a133a08c4f45ca5808a3f6fd986600b810b8ecc/a3736972073_16.jpg" /&#62;
	
</description>
		
	</item>
		
		
	<item>
		<title>Writings</title>
				
		<link>https://klearjos.cargo.site/Writings</link>

		<pubDate>Sat, 14 Nov 2020 23:33:40 +0000</pubDate>

		<dc:creator>Klearjos Eduardo Papanicolaou</dc:creator>

		<guid isPermaLink="true">https://klearjos.cargo.site/Writings</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>BURNT BRICK, MORTAR AND BITUMEN</title>
				
		<link>https://klearjos.cargo.site/BURNT-BRICK-MORTAR-AND-BITUMEN</link>

		<pubDate>Mon, 18 Aug 2025 12:57:30 +0000</pubDate>

		<dc:creator>Klearjos Eduardo Papanicolaou</dc:creator>

		<guid isPermaLink="true">https://klearjos.cargo.site/BURNT-BRICK-MORTAR-AND-BITUMEN</guid>

		<description>
	Science Fiction Short Story
BURNT BRICK, MORTAR AND BITUMENT is an experimental science fiction short story that interrogates the tensions between authoritarian political regimes and the cultural, social, and biological systems that they seek to control. By focusing on the frictions between State power and the defiant, generative patterns of life within its purview, it explores how embodied and spatial resistance can emerge. Set within a society where a totalitarian government mandates strict, prescriptive control over language, the story takes the perspective of a dissenting cognitive linguist. As state-imposed linguistic rules tighten, the protagonist searches for alternative, subversive modes of communication, rooted in the material and spatial dimensions of written and spoken language.

Inspired by David Foster Wallace’s discussion of ‘descriptive’ versus ‘prescriptive’ grammar, as well as historical examples of linguistic resistance—such as the Greek dictatorship’s ‘Katharevousa’ or the clandestine codes of oppressed groups like Polari—it reimagines the liberatory potential of physical and spatial communication. As the story’s language progressively degenerates into a semiotic puzzle, the reader is invited to uncover the protagonist’s hidden dialect, composed of gestures, objects, and spatial arrangements. By pointing to the latent, untapped potential of bodies and materials to generate new forms of language, the story reclaims these dimensions as sites for resistance and liberation, and by extension, offers emancipatory possibilities for rethinking socio-political relations within the city.
‘Burnt Brick, Mortar and Bitumen’
 

 Year Forthcoming 2026
Book Imaginar La Ciudad: Utopias, Deseos, Futuro, Tecnología

Editors Pablo Levine, Isabel Serra, Joaquin Zerene&#38;nbsp;
Publisher Bifurcaciones

	&#60;img width="594" height="865" width_o="594" height_o="865" data-src="https://freight.cargo.site/t/original/i/307e8611b74650171ffc2b197e77c07412882919d40e4a21fd37f773156aa7ee/portada.jpg" data-mid="237150147" border="0"  src="https://freight.cargo.site/w/594/i/307e8611b74650171ffc2b197e77c07412882919d40e4a21fd37f773156aa7ee/portada.jpg" /&#62;
	
</description>
		
	</item>
		
	</channel>
</rss>